www.copthorne.org

The Copthorne Labyrinth
 

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A mini garden is planted at each of the four bench positions.
Tares amongst the wheat - or rather weeds amongst the grass seed; but more under control with each mowing
The benches in position, and one of the first clear views of the Labyrinth
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The benches in position, and one of the first clear views of the Labyrinth
Summer sunshine on the Labyrinth
The four benches around the Memorial Garden Labyrinth
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The basalt rock from Clee Hill, in Shropshire, which will form the base of the sculpture.
The basalt base in Colin Reid's studio, with the slot cut in the top for the glass.
Colin Reid showing Alastair Cutting the base.
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Colin Reid's workshop in Stroud.
An early sketch of the design for the glass section of the sculpture.
Colin Reid, sculptor, with Charmian Mocatta, calligrapher.
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Charmian Mocatta, calligrapher, tries a design for the lettering.
Charmian Mocatta, calligrapher, with the vicar, Alastair Cutting.
The unpolished glass section of the sculpture, with one possibility for lettering. L-R Rev Alastair Cutting, Colin Reid, & Charmian Mocatta.

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